Catalog
French and Francophone Studies
Professors Dauge-Roth (chair), Read, and Rice-DeFosse; Lecturer Balladur
Courses in French and Francophone studies help students to learn basic communication skills, appreciate other cultures through language, and go beyond the study of language to achieve a deeper understanding of diverse peoples by way of their literatures and other modes of cultural production. Texts and film are analyzed closely from a contemporary critical perspective with attention to their cultural and historical context. All courses are taught in French, except in the case of some courses cross-listed with other departments or programs, which may be taught in English. More information on the Department of French and Francophone Studies is available on the website (bates.edu/french).
French and Francophone studies aims at flexibility within a structure that affords a diversity of experience in Francophone culture and literature and continuous training in the use of the language. It provides effective preparation for graduate work but is not conceived as strictly preprofessional. The significance of French is highlighted by the college's proximity to Québec and by the large number of Franco-Americans who live and work in northern New England. In addition to France's literary tradition, the Francophone histories and cultures of North Africa, West Africa, the Caribbean, and Québec have produced writers and artists who have influenced the world broadly with their cultural and artistic dynamism and insight, making French and Francophone cultural production a truly rich and varied platform to explore gender, sexuality, race, religion, and nalionality.
Placement in French Courses
Students entering courses in the department are advised of the following general policies and procedures. The beginning (101–102) sequence is reserved for true beginners in the language. Those with more than two years of secondary school study are not admitted at this level and are encouraged to enter at the 200 level, or, in some cases, 102 in the spring semester; students who have followed a conventional sequence of language study in high school (generally three to four years, sometimes more, sometimes involving Advanced Placement courses) are advised to enroll at the early to mid-200 level: 201 for general review or other intermediate courses that concentrate variously on introductions to culture, spoken language, and/or literature. Students are strongly encouraged to consult the self-placement test (bates.edu/french/academics/placement-form/).Major Requirements
The major in French and Francophone studies consists of a minimum of ten courses beyond the level of Intermediate French (201). These courses should reflect both geographical breadth and historical depth; students must consult with a faculty member when planning the course of study in the major.Two courses in a related discipline may normally count as one of the ten courses in the major; one of the two may be taught in English.
All majors are required to take at least one 300-level seminar in the senior year.
Advanced Placement courses may not count toward the major.
The Capstone Experience
Fluent and correct use of the language is essential to the completion of the major. All senior majors are required to complete a capstone experience that serves to synthesize and reflect upon their work in the major as described below:1) All majors must assemble a portfolio of their work in the major and discuss it in at the end of the second semester of their senior year. This exercise is known as the soutenance du portfolio. The portfolio contains a personal statement on the student's experience in French and Francophone studies and other components such as papers from courses taken at Bates or abroad, a journal of a study-abroad program or travel experience, audio and/or video recordings to show progress in oral proficiency, websites that may have been created for courses or other Francophone endeavors, or other personal reflections.
2) All majors must complete one of the following, all of which fulfill the [W3] requirement. Some portion of any of these options must be included in the portfolio for discussion:
a) a senior thesis (457, 458), which may be one-semester, two-semester, or honors. The thesis represents a sustained, scholarly work in the discipline, written in close consultation with a faculty member from the department.
b) a senior essay, an extracurricular (noncredit) written work that treats a question in the field of French and Francophone studies as agreed upon by the student and faculty advisor. The senior essay is significantly shorter than a one-semester thesis, yet still involves research and inquiry into a topic using tools of literacy and cultural study as practiced in the discipline.
c) an oral history project, which consists of a series of interviews with local Francophone residents, which are transcribed, edited, and presented at the Mount David Summit, and archived at Bates and in local repositories. These documentary projects, beyond interviewing, recording, and editing, entail an extended reflection on the process and an analysis of the final product.
3) All majors participate in a regularly scheduled Atelier de recherches in which they discuss approaches to research in French and Francophone cultural studies and their progress in the capstone requirements, including presentations of their research.
Honors candidates register for both FRE 457 and 458.
Minor Requirements
A minor in French and Francophone studies requires a minimum of seven courses. At least one of the seven courses must focus on literature or culture. Advanced Placement courses may not be applied toward the minor. All students who minor in French and Francophone studies must assemble a portfolio of their work in the minor. The portfolio consists of samples of written course work and is designed to demonstrate progress in the study of the French language.Students considering a major or minor should begin to compile a writing portfolio as soon as possible in consultation with their advisor in the department.
Study Abroad
Students majoring in French and Francophone studies are strongly encouraged to study abroad in a country appropriate for their area of interest. Normally majors receive a maximum of three credits for one semester of study and five credits for two semesters of study in a recognized program. Normally, minors receive a maximum of two credits for one semester of study and three credits for two semesters. Students must obtain approval from the department chair in order for their course to count toward major or minor in the discipline; otherwise, credit is not guaranteed.Transfer Credit
Students normally may transfer up to two credits for course work equivalent to courses offered by the Department of French and Francophone Studies. Students need to obtain approval from a faculty member in the department in order for their courses to count toward the major; otherwise, credit is not guaranteed.Pass/Fail Grading Option
No courses beyond FRE 235 may be taken pass/fail for credit toward the major or minor. CoursesINDC 100. African Perspectives on Justice, Human Rights, and Renewal.
This team-taught course introduces students to some of the experiences, cultural beliefs, values, and voices shaping contemporary Africa. Students focus on the impact of climatic, cultural, and geopolitical diversity; the politics of ethnicity, religion, age, race, and gender and their influence on daily life; and the forces behind contemporary policy and practice in Africa. The course forges students' critical capacity to resist simplistic popular understandings of what is taking place on the continent and works to refocus their attention on distinctively "African perspectives." Students design a research project to augment their knowledge about a specific issue within a particular region. The course is primarily for first- and second-year students with little critical knowledge of Africa and serves as the introduction to the General Education concentration Considering Africa (C022). Cross-listed in anthropology, French and Francophone studies, history, and politics. Enrollment limited to 39. Normally offered every year. A. Dauge-Roth, E. Eames, L. Hill, P. Otim.Concentrations
This course is referenced by the following General Education Concentrations
FRE 101. Elementary French I.
An introduction the French language. In the first semester, emphasis is placed on oral proficiency with conversational practice in various aspects of contemporary French and Francophone culture, and on the acquisition of vocabulary, basic grammar, and reading and writing skills. This course is not open to students with two or more years of French in secondary school. Enrollment limited to 22 per section. Normally offered every year. K. Read.Concentrations
This course is referenced by the following General Education Concentrations
FRE 102. Elementary French II.
A direct continuation of FRE 101 and also intended for students with no more than two years of French in high school. In this second semester introductory French course, students concentrate on further developing vocabulary, grammar, writing skills, and comprehension of French and Francophone culture with short readings and films. Prerequisite(s): FRE 101. Enrollment limited to 22. Normally offered every year. M. Rice-DeFosse.Concentrations
This course is referenced by the following General Education Concentrations
FR/GS 151. Gender, Race, and Social Class in French and Francophone Film.
This course explores representations of gender, race, and class including the intersectionality and historical evolution of these categories of difference. Students acquire analytical tools to better appreciate and contextualize French and Francophone films and look critically at their various aesthetic frameworks. How do classic French cinema, surrealism, avant-garde cinema, the New Wave, and postcolonial cinema question social norms and values? How do French and Francophone films represent personal memory, national history, gender relations, and colonial and postcolonial gazes? How do filmmakers address social change and capture shifting identities within French and Francophone history and cultures? Course and reading materials are in English; films are in the original with English subtitles. Enrollment limited to 39. Normally offered every year. L. Balladur.Concentrations
This course is referenced by the following General Education Concentrations
FRE 201. Intermediate French.
The course focuses on proficiency in speaking, with intensive review of grammar. Students read and analyze selected texts. Class discussions in French explore both literary and cultural topics. Prerequisite(s): FRE 102. Open to first-year students. Enrollment limited to 22 per section. Normally offered every year. M. Rice-DeFosse.Concentrations
This course is referenced by the following General Education Concentrations
FRE 205. Oral French.
The course is designed to develop oral fluency and aural acuity, with attention to vocabulary, idiomatic expressions, syntax, and pronunciation. The course is constructed around an unfolding suite of humorous adventures in dialogue form that explore North Africa's cultural legacy in the French and Francophone world. Students explore topics of contemporary interest such as orientalism, colonialism, women's rights, Islam and France, and North African culture, through weekly performances, improvisation, debate, and one-on-one evaluations. Recommended background: FRE 201. Open to first-year students. Enrollment limited to 15. Normally offered every semester. M. Rice-DeFosse, K. Read.Concentrations
This course is referenced by the following General Education Concentrations
FRE 207. Introduction to Contemporary France.
This course develops facility in speaking, reading, and writing French by focusing on French society and culture. Students explore contemporary France through content-based cultural materials such as magazine and newspaper articles, published interviews, video, film, music, and appropriate works of current literature. Students prepare oral reports and written essays. Recommended background: FRE 201. Open to first-year students. Enrollment limited to 29. Normally offered every year. A. Dauge-Roth.Concentrations
This course is referenced by the following General Education Concentrations
FRE 208. Introduction to the Francophone World.
This course focuses on the Francophone world while developing greater facility in speaking, reading, and writing in French. The Francophone world is first presented through the history of colonization, the slave trade, and the decolonization movements in several areas such as the Caribbean, Senegal, and Algeria. The diversity of Francophone cultures and voices is explored through a variety of cultural material including newspaper and magazine articles, and the work of directors and authors such as Ernest Pépin, Gisèle Pineau (Guadeloupe), Patrick Chamoiseau (Martinique), Assia Djebar, Leïla Sebbar, Lyes Salem (Algeria), Kem Bugul, Ousmane Sembène, and Djibril Diop Mambety (Senegal). Class presentations and discussions are conducted entirely in French. Recommended background: FRE 201. Open to first-year students. Enrollment limited to 29. Normally offered every year. A. Dauge-Roth.ConcentrationsInterdisciplinary Programs
This course is referenced by the following General Education Concentrations
This course counts toward the following Interdisciplinary Program(s)
FRE 235. Advanced French Language and Introduction to Film Analysis.
The course is designed to develop facility in conversing and writing in idiomatic French with ease and fluency. Students review linguistic structures with attention to correct written expression. The course focuses on analysis and critical thinking in a variety of media such as film, fiction, documentary, essay, and journalism. Recommended background: FRE 205, 207, or 208. Open to first-year students. Enrollment limited to 15. [W2] Normally offered every semester. L. Balladur, A. Dauge-Roth.Concentrations
This course is referenced by the following General Education Concentrations
FRE 240. Introduction to French Studies.
In these courses, students examine literature in its social, political, and historical context with emphasis on the cultural interrelationship of text and society through short critical papers and class discussion in French. Open to first-year students. (Community-Engaged Learning.) [W2]Concentrations
This course is referenced by the following General Education Concentrations
FRE 240E. Le Maghreb: Vue de l'Enfance.
An appreciation and analysis of the amply recorded experience of childhood in North Africa. Students examine the rich body of memoirs, historical accounts, novels, films, and short stories that explore the experience of childhood with particular attention to its cultural specificity in North Africa, a Francophone region deeply affected by the legacy of colonization. Particular attention is paid to issues of gender, orientalism, and religious and cultural diversity within the Maghreb. Authors include Sebbar, Ben Jelloun, Djebar, and Mernissi, and filmmakers Ferroukhi and Boughedir. Prerequisite(s): FRE 207, 208, or 235. Open to first-year students. [W2] K. Read.Concentrations
This course is referenced by the following General Education Concentrations
FRE 240F. Borders and Disorders.
A study of the various experiences of immigration that the Francophone world has made possible and, in certain cases, forced upon people for political and economic reasons. In an era of globalization, students examine how increasingly migrants must negotiate their sense of self through multiple heritages and places, and how Francophone novels and films imagine new forms of belonging that embrace the complex and fluid status of the migrant experience. How does one define "home" within one's host country without denying one's past and cultural origins? The course envisions the Francophone world as a theater of multiple encounters that lead to the creation of new hybrid identities that transform both the immigrant and the host country. Authors and filmmakers include Bouchareb, Bouraoui, Condé, De Duve, Flem, Gomis, Guibert, Nacro, Sebbar, Sembène, and Zang. Prerequisite(s): FRE 207, 208 or 235. Open to first-year students. [W2] A. Dauge-Roth.Concentrations
This course is referenced by the following General Education Concentrations
FRE 240G. Science and Literature.
This course explores the relationship between science and fiction, specifically French or Francophone literature and film. Short readings provide students with a better understanding of certain key scientific concepts such as fractals, entropy, noise, and information theory. Further readings from critical theory draw attention to their relevance in fiction and film. Attention is paid primarily to close readings of novels, films, and poems, in order to tease out the thematic, structural, or epistemological interference between science and literature. Readings may include scientific articles by Brillouin, Mandelbrot, Weaver, and Monod; philosophical works from Bergson, Serres, and Deleuze; and fiction or film by Jean de la Fontaine, Nerval, Rousseau, Césaire, Ponge, Proust, Robbe-Grillet, Volodine, or Haneke. A background in science is not required. Prerequisite(s): FRE 207, 208, or 235. Open to first-year students. [W2] L. Balladur.Concentrations
This course is referenced by the following General Education Concentrations
AM/FR 240I. French in Maine.
An appreciation and analysis of what it means to speak French and to be "French" in the local and regional context. Students examine questions of language, ethnic identity, and cultural expression through novels, short stories, autobiographies, film, and written and oral histories. Visits to local cultural sites enhance students' understanding of the Franco-American community and its heritage as well as other French speakers. Prerequisite(s): FRE 207, 208, or 235. Not open to students who have received credit for AC/FR 240I. Open to first-year students. Enrollment limited to 19. [W2] M. Rice-DeFosse.Concentrations
This course is referenced by the following General Education Concentrations
FRE 250. Power and Resistance through Writing.
A study of French and Francophone cultural production, mainly literary, across time and various genres. The course does not attempt comprehensive, encyclopedic knowledge of a textural canon, but rather a thematic approach that focuses on key works and important authors and creators from the French and Francophone world. Power and resistance provides a capacious lens through which student consider issues relevant to the history of France and its reach into the cultural life of its former colonies and beyond, gender and race foremost among these defining influences. Students become acquainted with iconic moments and texts from the Francophone world as well as these that have been traditionally underprivileged or unrecognized. Prerequisite(s): FRE 207, 208, or 235. Open to first-year students. [W2] Normally offered every year. L. Balladur.Concentrations
This course is referenced by the following General Education Concentrations
FRE 271. Translation: Theory and Practice.
An introduction to translation both a creative practice and a theoretical investigation into the relationship between language and culture. The course offers both an exploration of language and its rhythms and a discussion of the political role of translators. Students' creative work focuses on translation of literary texts, both in prose and verse, while readings consider stylistics and aesthetics, philosophy of language and translation, and gender studies and cultural studies in relation to translation theory. Prerequisite(s): FRE 235, 240, 250, or 251. L. Balladur.Concentrations
This course is referenced by the following General Education Concentrations
FRE 340. Social Pulse, Documentary Impulse.
What kind of unique knowledge does a documentary film seek to offer? What are the strengths and the limits of this genre in our increasingly visual culture? Does the documentary impulse bring us closer to the "reality" of which it takes the pulse? Does it force us to face the existential and political practices it makes socially visible? How do documentary films, in comparison with historical fictions or novels, position their viewers and call for social engagement? Moreover, to what extent are documentary films able to renew our vision of postcolonial history and memory and confront issues of power, priviledge, and the diversity of views and beliefs? This course examines these topics through the works of several French and Francophone documentary filmmakers. Prerequisite(s): FRE 240, 250, or 251. Enrollment limited to 15. A. Dauge-Roth.Concentrations
This course is referenced by the following General Education Concentrations
FRE 360. Independent Study.
Students, in consultation with a faculty advisor, individually design and plan a course of study or research not offered in the curriculum. Course work includes a reflective component, evaluation, and completion of an agreed-upon product. Sponsorship by a faculty member in the program/department, a course prospectus, and permission of the chair are required. Students may register for no more than one independent study per semester. Normally offered every semester. Staff.Concentrations
This course is referenced by the following General Education Concentrations
FRE 365. Special Topics.
These courses are designed for the small seminar group of students who may have particular interests in areas of study that go beyond the regular course offerings. Periodic conferences and papers are required.Concentrations
This course is referenced by the following General Education Concentrations
FRE 372. Woman Writer/Women Written.
Reading and discussion of women writers of the seventeenth century with a focus on their important role in the formation of the novel. Attention is given to women as heroines or titular characters in the works of male authors of the period. Prerequisite(s): FRE 240, 250, or 251. [W2] K. Read.ConcentrationsInterdisciplinary Programs
This course is referenced by the following General Education Concentrations
This course counts toward the following Interdisciplinary Program(s)
FRE 373. Close-up on the Enlightenment: Film, Text, Context.
Enlightenment ideology has influenced our contemporary culture, anchored as it is visual language. This course illustrates this affinity through various prisms: period texts, both historical and fictional; cinematic representations of the period or adaptations of Enlightenment fiction; film theory; and theories of the Enlightenment. Readings reveal how Enlightenment ideology has shaped contemporary visual culture. Readings and films may include works by Laura Mulvey, André Bazin, Susan Sontag, Denis Diderot, Choderlos de Laclos, Marquis de Sade, Restif de la Bretonne, Michel Foucault, Dorinda Outram, Horkheimer and Adorno, Louis Marin, Sofia Coppola, Eric Rohmer, Roberto Rossellini, and Robert Bresson. Prerequisite(s): FRE 240, 250, or 251. Enrollment limited to 15. L. Balladur.ConcentrationsInterdisciplinary Programs
This course is referenced by the following General Education Concentrations
This course counts toward the following Interdisciplinary Program(s)
FRE 374. Écrire la Révolution: French Literature in the Nineteenth Century.
This course explores a century of enormous political, socioeconomic, and cultural change through its literature. Students consider such authors as Staël, Nodier, Balzac, Hugo, Sand, Flaubert, Baudelaire, and Zola. Prerequisite(s): FRE 240, 250, or 251. [W2] M. Rice-DeFosse.ConcentrationsInterdisciplinary Programs
This course is referenced by the following General Education Concentrations
This course counts toward the following Interdisciplinary Program(s)
FRE 375. The French Dis/Connection in Contemporary Literature.
Contemporary French and Francophone literature has been in constant dialogue with a century marked by social change, redefinition of gender, trauma, urban modernity, and mobility. This course explores how contemporary literature shaped the perceptions of such issues and examines its contribution by understanding its authors in their social and political context. Authors studied include Ben Jelloun, Bugul, Chamoiseau, Delbo, Diop, Nothomb, Perec, and Thilliez. Prerequisite(s): FRE 240, 250, or 251. [W2] A. Dauge-Roth.ConcentrationsInterdisciplinary Programs
This course is referenced by the following General Education Concentrations
This course counts toward the following Interdisciplinary Program(s)
FRE 376. Writing Gender in French.
This course explores gender and voice in selected literary, political, and theoretical texts from 1789 to the present. Through writers such as Sand, Tristan, Rimbaud, Colette, Beauvoir, Prévert, Duras, Condé, Ernaux, Cixous, and Irigaray, students explore the contributions of French writers to questions of gendered writing, feminist and gender theory, and gender in social context. Prerquisite(s): FRE 240, 250, or 251. [W2] M. Rice-DeFosse.ConcentrationsInterdisciplinary Programs
This course is referenced by the following General Education Concentrations
This course counts toward the following Interdisciplinary Program(s)
FR/GS 377. Colon/Colonisé: Récits de l'Expérience Nord-Africaine.
This course studies the colonial, postcolonial, and immigrant experience of North Africans as portrayed in Francophone literature. Readings include narratives and journals from the beginning of the colonial period in Algeria (1830), as well as the contemporary novels and discourse of feminists such as Assia Djebar, Malika Mokeddem, and Leïla Sebbar. Gender is often highlighted as a category of analysis. Prerequisite(s): FRE 240, 250, or 251. Staff.Concentrations
This course is referenced by the following General Education Concentrations
FRE 377. Colon/Colonisé: Récits de l'Expérience Nord-Africaine.
This course studies the colonial, postcolonial, and immigrant experience of North Africans as portrayed in Francophone literature. Readings include narratives and journals from the beginning of the colonial period in Algeria (1830), as well as the contemporary novels and discourse of feminists such as Assia Djebar, Malika Mokeddem, and Leïla Sebbar. Gender is often highlighted as a category of analysis. Prerequisite(s): FRE 240, 250, or 251. Staff.Concentrations
This course is referenced by the following General Education Concentrations
FRE 378. Voix francophones des Antilles.
An examination of literary voices from the French-speaking Caribbean from the first half of the twentieth century to the contemporary period, including works by authors such as Aimé Césaire, René Depestre, Edouard Glissant, Marie Chauvet, Maryse Condé, Gisèle Pineau, and Patrick Chamoiseau. The course explores topics such representations of colonial past and slavery, the Négritude movement, issues of political and social justice, hybridity, and créolité. Prerequisite(s): FRE 240, 250, or 251. M. Rice-DeFosse.Concentrations
This course is referenced by the following General Education Concentrations
FRE 379. Documenting the Genocide of the Tutsi in Rwanda.
This course presents a historical and rhetorical examination of various media and genres that bear witness to the Rwandan genocide of 1994 and question the ability to document genocide in Africa through Western modes of representation and information. Students analyze literary works written by Francophone sub-Saharan African writers such as Koulsy Lamko (Chad) and Boubacar Boris Diop (Senegal), the play Rwanda 94, written testimonies by Tutsi and Hutu survivors such as Yolande Mukagasana and Esther Mujawayo and those of foreign journalists present during or after the genocide such as Jean Hatzfeld, fictional films by Raoul Peck and Terry George, and numerous documentaries by Western and Rwandan filmakers. Prerequisite(s): FRE 240, 250, or 251. Enrollment limited to 19. (Community-Engaged Learning.) [W2] A. Dauge-Roth.Concentrations
This course is referenced by the following General Education Concentrations
- Colonialism (C059)
- Conflict and Threat: War and Disease (C064)
- Considering Africa (C022)
- Diasporas (C038)
- Evidence: Documentation and Reality (C017)
- Film and Media Studies (C019)
- French and Francophone Studies (C034)
- Identity, Race, and Ethnicity (C037)
- Learning and Teaching (C084)
- Post/Colonial Issues in French and Spanish (C032)
- Racisms (C041)
FRE 457. Senior Thesis.
Open only to senior majors, with departmental permission. Before registering for 457 or 458 a student must present to the department chair an acceptable plan, including an outline and a tentative bibliography, after discussion with a member of the department. Students register for FRE 457 in the fall semester. Senior majors register for 457 or 458 only, unless the department gives permission for a second semester's credit because the nature of the project warrants it. Majors writing an honors thesis register for both FRE 457 and 458. [W3] Normally offered every year. Staff.Concentrations
This course is referenced by the following General Education Concentrations
FRE 458. Senior Thesis.
Open only to senior majors, with departmental permission. Before registering for 457 or 458 a student must present to the department chair an acceptable plan, including an outline and a tentative bibliography, after discussion with a member of the department. Students register for FRE 458 in the winter semester. Senior majors register for 457 or 458 only, unless the department gives permission for a second semester's credit because the nature of the project warrants it. Majors writing an honors thesis register for both FRE 457 and 458. [W3] Normally offered every year. Staff.Concentrations
This course is referenced by the following General Education Concentrations
FRE s24. Cooking up French Culture.
The French gastronome Brillat-Savarin wrote, "Tell me what you eat and I will tell you who you are." This course studies the ways in which food is prepared and eaten in selected works of French literature and film and what those culinary traditions tell us about the changing identity of the French. Literary and cinematic representations may include works by may Flaubert, Zola, Proust, Buñuel, Axel, Jeunet, Ferreri, Barbery, and Gavalda. The course includes some practice in food preparation and service. Prerequisite(s): FRE 201 or higher. Enrollment limited to 25. M. Rice-DeFosse.Concentrations
This course is referenced by the following General Education Concentrations
FRE s34. French Drama in Performance.
A study and performance of scenes from French dramatic works from a variety of literary styles, movements, and eras. Students read, discuss, and perform dramatic works (or portions thereof) throughout the course and then conceive and create a coherent production of portions of these plays that may be presented in public to area high schools and colleges. Readings may include the works of Molière, Racine, Beaumarchais, De Musset, Ionesco, and Duras, which, though drawn from a wide range of time periods and approaches, are assimilated and reconciled under a common theme to be determined by the class. Recommended background: adequate oral fluency in French, good reading comprehension. Prerequisite(s): one French and Francophone studies course beyond 201. Open to first-year students. Enrollment limited to 25. K. Read.Concentrations
This course is referenced by the following General Education Concentrations
FRE s38. Learning with Orphans of the Genocide in Rwanda.
From a perspective of civic engagement, students undertake an oral history project to understand the lives of orphans of the genocide of the Tutsis more than twenty years after the catastrophic event. By evaluating the life stories, needs, challenges, sufferings, and hopes of these vulnerable survivors, students learn from them as they identify forms of social resilience and long-term negotiation of trauma. They consider the history of Rwanda, the origin of the genocide of 1994, and its aftermath. In Rwanda, they meet several important social actors and government officials involved in the process of memorialization, mourning, national reconciliation, and testimony. Prerequisite(s): FRE 235. Enrollment limited to 12. Instructor permission is required. (Community-Engaged Learning.) A. Dauge-Roth.Concentrations
This course is referenced by the following General Education Concentrations
FRE s39. Tintin et les Intellos.
The intrepid boy reporter Tintin is a cultural icon of vast international acclaim. His adventures, drawn and written by Georges Rémi (Hergé), have been translated into over fifty languages and sold hundreds of millions of copies. In this course, students explore the Tintin phenomenon as artistic production, as colonialist discourse, as commodified object, and as part of a distinctly European tradition of graphic storytelling. Readings include a selection of the twenty-three adventures, a biography of Hergé, and related critical works on the reception and controversy of Tintin's enduring popularity. All readings and discussions are in French. Prerequisite(s): one French and Francophone studies course beyond FRE 201. Course reinstated beginning Short Term 2019. Enrollment limited to 30. K. Read.Concentrations
This course is referenced by the following General Education Concentrations
FRE s50. Independent Study.
Students, in consultation with a faculty advisor, individually design and plan a course of study or research not offered in the curriculum. Course work includes a reflective component, evaluation, and completion of an agreed-upon product. Sponsorship by a faculty member in the program/department, a course prospectus, and permission of the chair are required. Students may register for no more than one independent study during a Short Term. Normally offered every year. Staff.Concentrations
This course is referenced by the following General Education Concentrations
FRE s51C. Rethinking French Language with Online Educational Resources.
Students in this course help redesign FFS 101-102 (Elementary French I and II) and FFS 205 (Oral French) using online educational resources. Students research options and design syllabi with complementary dialogues they create, an approach piloted this year. For FFS 205, students work with a long-existing text designed for this course and prepare it for on-line access. Student course designers consult with past students in these courses as well as current colleagues/professors in all languages at Bates. Prerequisite(s): one French language course at Bates. New course beginning Short Term 2019. Enrollment limited to 6. Instructor permission is required. One-time offering. K. Read.Concentrations
This course is referenced by the following General Education Concentrations